In June 2016, Emma Webster took part in the Live Music Exchange event, ‘Valuing live music‘ at the University of Newcastle. She gave a short presentation on her and George McKay’s report on the Impact of British Music Festivals and answered questions about the definition and meaning of festivals, and the British festival market in relation to other countries.
A new report, written by Emma Webster and George McKay and published online last week, highlights the impact of British music festivals and shows that festivals are now at the heart of the British music industry, forming an essential part of the worlds of rock, classical, folk and jazz. Funded by the Arts and Humanities Research Council’s (AHRC) Connected Communities programme, the report is based on a critical literature review of more than 170 books, papers and reports.
The sheer breadth of perspectives about festivals was surprising: from the economic impact of the Edinburgh Festivals to the experience of performers and audiences Gilbert and Sullivan Festival to the impact of a chamber music festival on a bat colony, the literature on festivals highlights the way that they have captured the imaginations of researchers across the world.
The following offers a brief summary of the report – to read the full report and the accompanying annotated bibliography, click here.
Our new report, published online today, highlights the economic, social and cultural impact of British music festivals, and shows that festivals are now at the heart of the British music industry, forming an essential part of the worlds of rock, classical, folk and jazz. Funded by the Arts and Humanities Research Council’s (AHRC) Connected Communities programme, the report is based on a critical literature review of more than 170 books, papers and reports. Continue reading Report published online today: From Glyndebourne to Glastonbury: The Impact of British Music Festivals – Emma Webster and George McKay
I have just returned from the Rhythm Changes ‘Jazz Utopia’ conference in Birmingham (14-17 April 2016). The majority of the one hundred plus speakers really engaged with the theme of the conference and grappled with jazz’s potential for exploring and achieving utopia from a wide variety of perspectives: historical, musicological, sociological and interdisciplinary.
My paper gave a brief overview of a literature review currently in review with the Jazz Research Journal about the impact of jazz festivals; based on the final part of my paper, this blog post will consider briefly the ways in which jazz festivals have been or could be considered to be utopian. Continue reading ‘Festivalling’: Are jazz festivals utopian? – Emma Webster
Researching (Jazz) Festivals: A Day of Ideas and Discussion
Cheltenham Jazz Festival
Friday 29 April 2016, 10-5pm
FREE attendance (must register via Cheltenham Jazz Festival box office)
The Impact of Festivals is a 12-month project funded under the Arts and Humanities Research Council’s Connected Communities Programme, working with research partner organization, the EFG London Jazz Festival. The Principal Investigator is Professor George McKay, AHRC Leadership Fellow for the Connected Communities Programme, and Professor of Media Studies at the University of East Anglia. The Research Associate is Dr Emma Webster, co-founder and Director of Live Music Exchange. Continue reading FREE EVENT: Researching (Jazz) Festivals: A Day of Ideas and Discussion – Cheltenham Jazz Festival – Friday 29 April 2016
One of the pleasures of this project has been that it has enabled me to read (and sometimes re-read) literature about festivals – and spending a day in the Radcliffe Camera at the Bodleian Library in Oxford whilst doing so is not such a shabby way to spend a day.
The following is my Buzzfeed style list about my favourite three articles (so far) about jazz festivals, which I highly recommend for anyone interested in jazz, festivals, or jazz festivals! Continue reading The impact of jazz festivals – top three articles (so far) – Emma Webster
For Christmas this year, I was given some new CDs. So what, you may ask? The difference this year is that it’s usually my husband asking for new CDs while I stick to what’s already on my iPod (not that surprising considering that musical listening habits change throughout adulthood). This year, however, I had asked for CDs from artists I’d heard at the EFG London Jazz Festival 2015 and have been listening to them on repeat ever since. Today’s blog, then, is about festivals as sites for sharing and sharing new music with family and friends, both on- and off-site. Continue reading Festivals as sites for discovering (and sharing) new music – Emma Webster