Continental Drift – video on Places and Events feat. Emma Webster

In July 2016, George McKay and Emma Webster both spoke at the Continental Drift: 50 Years of Jazz in Europe conference in Edinburgh.

This video features Emma talking about their research into jazz festivals in a panel about places and events, also featuring William Bares and José Diaz, and chaired by Tony Whyton.

 

 

Advertisements

From Glyndebourne to Glastonbury: The Impact of British Music Festivals – Emma Webster and George McKay

A new report, written by Emma Webster and George McKay and published online last week, highlights the impact of British music festivals and shows that festivals are now at the heart of the British music industry, forming an essential part of the worlds of rock, classical, folk and jazz. Funded by the Arts and Humanities Research Council’s (AHRC) Connected Communities programme, the report is based on a critical literature review of more than 170 books, papers and reports.

The sheer breadth of perspectives about festivals was surprising: from the economic impact of the Edinburgh Festivals to the experience of performers and audiences Gilbert and Sullivan Festival to the impact of a chamber music festival on a bat colony, the literature on festivals highlights the way that they have captured the imaginations of researchers across the world.

The following offers a brief summary of the report – to read the full report and the accompanying annotated bibliography, click here.

Continue reading From Glyndebourne to Glastonbury: The Impact of British Music Festivals – Emma Webster and George McKay

The impact of jazz festivals – top three articles (so far) – Emma Webster

Radcliffe Camera, Bodleian Library, University of Oford
Radcliffe Camera, Bodleian Library, University of Oxford © Sabrina Chap 2013

One of the pleasures of this project has been that it has enabled me to read (and sometimes re-read) literature about festivals – and spending a day in the Radcliffe Camera at the Bodleian Library in Oxford whilst doing so is not such a shabby way to spend a day.

The following is my Buzzfeed style list about my favourite three articles (so far) about jazz festivals, which I highly recommend for anyone interested in jazz, festivals, or jazz festivals! Continue reading The impact of jazz festivals – top three articles (so far) – Emma Webster

Festivals as sites for discovering (and sharing) new music – Emma Webster

For Christmas this year, I was given some new CDs. So what, you may ask? The difference this year is that it’s usually my husband asking for new CDs while I stick to what’s already on my iPod (not that surprising considering that musical listening habits change throughout adulthood). This year, however, I had asked for CDs from artists I’d heard at the EFG London Jazz Festival 2015 and have been listening to them on repeat ever since. Today’s blog, then, is about festivals as sites for sharing and sharing new music with family and friends, both on- and off-site. Continue reading Festivals as sites for discovering (and sharing) new music – Emma Webster

The Impact of Festivals project – thoughts on the form and function of our report for the AHRC – Emma Webster

The Impact of Festivals project will generate two outputs: a report for the AHRC on the impact of festivals, based on a literature review and interviews with audience members and festival directors, and a critical history of the London Jazz Festival, which will be published as a book in 2017 as part of the Festival’s 25th anniversary.

Since the end of the London Jazz Festival back in November, I have been working on the literature review, which has thrown up a number of interesting questions and challenges. Continue reading The Impact of Festivals project – thoughts on the form and function of our report for the AHRC – Emma Webster

Timeline of festival culture 1950-present

The history of festivals in Britain (and beyond) is rich in history – from the Festival of Britain in 1951 to the riot of Beaulieu Jazz Festival in 1960, and the epochal Woodstock Festival in 1969 through to Jay-Z headlining Glastonbury Festival in 2008, festival culture now appears firmly embedded in mainstream culture.

The timeline presented here comes from a variety of sources, the genesis being Professor George McKay’s 2000 book Glastonbury: A Very English Fair, in which, as George says, ‘There is a certain randomness to this [timeline], both in terms of where it starts and what it includes, and a certain bias in its focus around popular music and left politics, either traditionally organised or lifestyle. Why not add your own entries, too?’

The history of festivals is still very much being written – do get in touch if you feel that we have missed out a festival of significance so that the history of festivals continues to grow.

Click here for festival timeline.

The Streets – unexpected musical happenings on Leyton High Street – Emma Webster

The Streets is a project devised by EFG London Jazz Festival (LJF) producer, Serious, to ‘showcase the local streetscape and unlock the potential of high streets’ with the aims of spectacle, discovery, and participation. The first phase of the project started in July 2015 and consisted of a series of events across seven boroughs (Waltham Forest, Redbridge, Greenwich, Croydon, Wandsworth, Richmond upon Thames and Kingston upon Thames). As Serious co-Director Claire Whitaker said to a group of students about the event: ‘The sun came out, people spent money in shops; the project was a success’. The second phase coincided with the LJF in November 2015, a deliberate ploy which allowed the organisers to take advantage of the increased number of touring musicians in the city and increased opportunities for the musicians to earn money and build an audience. Continue reading The Streets – unexpected musical happenings on Leyton High Street – Emma Webster