I have just returned from the Rhythm Changes ‘Jazz Utopia’ conference in Birmingham (14-17 April 2016). The majority of the one hundred plus speakers really engaged with the theme of the conference and grappled with jazz’s potential for exploring and achieving utopia from a wide variety of perspectives: historical, musicological, sociological and interdisciplinary.
My paper gave a brief overview of a literature review currently in review with the Jazz Research Journal about the impact of jazz festivals; based on the final part of my paper, this blog post will consider briefly the ways in which jazz festivals have been or could be considered to be utopian. Continue reading ‘Festivalling’: Are jazz festivals utopian? – Emma Webster
Researching (Jazz) Festivals: A Day of Ideas and Discussion
Cheltenham Jazz Festival
Friday 29 April 2016, 10-5pm
FREE attendance (must register via Cheltenham Jazz Festival box office)
The Impact of Festivals is a 12-month project funded under the Arts and Humanities Research Council’s Connected Communities Programme, working with research partner organization, the EFG London Jazz Festival. The Principal Investigator is Professor George McKay, AHRC Leadership Fellow for the Connected Communities Programme, and Professor of Media Studies at the University of East Anglia. The Research Associate is Dr Emma Webster, co-founder and Director of Live Music Exchange. Continue reading FREE EVENT: Researching (Jazz) Festivals: A Day of Ideas and Discussion – Cheltenham Jazz Festival – Friday 29 April 2016
Back at the beginning of October I tore my calf muscle playing badminton – I have been on crutches ever since, although my leg is getting stronger daily. Whilst at no point wishing to suggest that I could understand what it is like to be chronically disabled, it has given me a small insight into mobility issues at festival about which I was previously less cognisant.
The EFG London Jazz Festival (LFJ) is predominantly venue-based – some of the fringe Streets events take place in the open air, but most, if not all, of the LJF events are indoors and most are seated. One of the things audience members have told me is that they like the variety of the Festival, in that it spans some of the largest venues in London to some of the smallest. While the larger, Arts Council-funded venues have to have an equality action plan, smaller venues do not generally have to abide by such rules and hence accessibility, or the lack thereof, may be an issue. Continue reading London on crutches – thoughts on the (in)accessibility of festivals – Emma Webster
The coolest instrument in the world is the electric guitar – or, at least, that is what was taught to twenty school children today as part of one of the EFG London Jazz Festival educational events. And after today’s wonderful concert by Chris Montague, I am fully inclined to agree!
Continue reading Festivals as learning environments and the coolest instrument in the world – Emma Webster