Celebrating the conclusion of the Impact of Festivals project

The Impact of Festivals project ran from November 2015 to November 2016 at the University of East Anglia and was led by Professor George McKay with Dr Emma Webster, in collaboration with the EFG London Jazz Festival; the project was funded by the Arts and Humanities Research Council’s Connected Communities programme.

The book of the history of the London Jazz Festival is still in progress and we expect to launch the book at the 2017 EFG London Jazz Festival, so watch this space!

Outputs from the project include:- Continue reading Celebrating the conclusion of the Impact of Festivals project

From Glyndebourne to Glastonbury: The Impact of British Music Festivals – Emma Webster and George McKay

A new report, written by Emma Webster and George McKay and published online last week, highlights the impact of British music festivals and shows that festivals are now at the heart of the British music industry, forming an essential part of the worlds of rock, classical, folk and jazz. Funded by the Arts and Humanities Research Council’s (AHRC) Connected Communities programme, the report is based on a critical literature review of more than 170 books, papers and reports.

The sheer breadth of perspectives about festivals was surprising: from the economic impact of the Edinburgh Festivals to the experience of performers and audiences Gilbert and Sullivan Festival to the impact of a chamber music festival on a bat colony, the literature on festivals highlights the way that they have captured the imaginations of researchers across the world.

The following offers a brief summary of the report – to read the full report and the accompanying annotated bibliography, click here.

Continue reading From Glyndebourne to Glastonbury: The Impact of British Music Festivals – Emma Webster and George McKay

Report published online today: From Glyndebourne to Glastonbury: The Impact of British Music Festivals – Emma Webster and George McKay

Our new report, published online today, highlights the economic, social and cultural impact of British music festivals, and shows that festivals are now at the heart of the British music industry, forming an essential part of the worlds of rock, classical, folk and jazz. Funded by the Arts and Humanities Research Council’s (AHRC) Connected Communities programme, the report is based on a critical literature review of more than 170 books, papers and reports. Continue reading Report published online today: From Glyndebourne to Glastonbury: The Impact of British Music Festivals – Emma Webster and George McKay