The Impact of Festivals project ran from November 2015 to November 2016 at the University of East Anglia and was led by Professor George McKay with Dr Emma Webster, in collaboration with the EFG London Jazz Festival; the project was funded by the Arts and Humanities Research Council’s Connected Communities programme.
The book of the history of the London Jazz Festival is still in progress and we expect to launch the book at the 2017 EFG London Jazz Festival, so watch this space!
A new report, written by Emma Webster and George McKay and published online last week, highlights the impact of British music festivals and shows that festivals are now at the heart of the British music industry, forming an essential part of the worlds of rock, classical, folk and jazz. Funded by the Arts and Humanities Research Council’s (AHRC) Connected Communities programme, the report is based on a critical literature review of more than 170 books, papers and reports.
The sheer breadth of perspectives about festivals was surprising: from the economic impact of the Edinburgh Festivals to the experience of performers and audiences Gilbert and Sullivan Festival to the impact of a chamber music festival on a bat colony, the literature on festivals highlights the way that they have captured the imaginations of researchers across the world.
One of the pleasures of this project has been that it has enabled me to read (and sometimes re-read) literature about festivals – and spending a day in the Radcliffe Camera at the Bodleian Library in Oxford whilst doing so is not such a shabby way to spend a day.
The Impact of Festivals project will generate two outputs: a report for the AHRC on the impact of festivals, based on a literature review and interviews with audience members and festival directors, and a critical history of the London Jazz Festival, which will be published as a book in 2017 as part of the Festival’s 25th anniversary.